Home Trending Entertainment Brazilian Cinema Captured Hearts and a Globe with ‘I’m Still Here’
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Brazilian Cinema Captured Hearts and a Globe with ‘I’m Still Here’

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A still of Fernanda Torres from the movie I'm still here
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In a cinematic year brimming with contenders, I’m Still Here emerged as a poignant masterpiece, captivating audiences and critics alike. Directed by Walter Salles, the film tells a harrowing yet tender true story of resilience, love, and loss during Brazil’s military dictatorship. This compelling narrative not only earned Fernanda Torres a historic Oscar nomination but also firmly established Salles as a maestro of emotionally rich storytelling.

A Family in the Eye of a Storm

Set against the politically charged backdrop of Brazil in the 1970s, I’m Still Here is based on Marcelo Rubens Paiva’s memoir. The film introduces the Paiva family, a lively seven-member household in Rio de Janeiro. For the first 20 minutes, viewers are lulled into the warmth of their everyday lives—beach outings, dancing, and shared meals.

But beneath the familial joy lies a simmering tension. Rubens, played by Selton Mello, is a politician and engineer who dares to oppose the military regime. His wife, Eunice, portrayed by Fernanda Torres, anchors the family with her resilience and grace. When Rubens becomes one of the regime’s “desaparecidos,” the Paiva family’s life is upended. Eunice is forced to rebuild their world while grappling with the devastating loss of her husband.

“The beauty of I’m Still Here is how it juxtaposes the mundane details of life with the enormity of tragedy,”

noted The New York Times.

“Salles draws viewers into the family’s warmth, making their suffering all the more impactful.”

A Historic Oscar Nomination

A view of director of I'm still here at the oscars

Credit: reuters.com

Fernanda Torres’ performance as Eunice is nothing short of transformative. Her ability to convey the strength and vulnerability of a mother trying to hold her family together amidst chaos earned her a Best Actress Oscar nomination. This recognition makes Torres only the second Brazilian actress to achieve such a feat. The first was her mother, Fernanda Montenegro, who received a nomination in 1999 for Central Station, also directed by Salles.

“Being nominated alongside my mother’s legacy is an honor beyond words,”

Torres shared in an interview with Variety.

“This film is a testament to the strength of women like Eunice who find courage in the darkest times.”

Torres’ win at the Golden Globes further cemented her as a frontrunner. Her nuanced portrayal of Eunice resonated deeply, with critics hailing her as “a revelation” (The Hollywood Reporter).

A Triumph at Venice and Beyond

I’m Still Here premiered at the Venice Film Festival, receiving a 10-minute standing ovation. Salles won the Best Director prize, and screenwriters Murilo Hauser and Heitor Lorega took home the award for Best Screenplay. Sony Pictures Classics, which also distributed Central Station, acquired the film, ensuring its global reach.

The movie’s reception in Brazil was equally triumphant. It grossed over $13.2 million, becoming the year’s top title in its home market. Brazilian audiences embraced the film for its raw depiction of a turbulent era in the nation’s history.

“This is not just a story about one family; it’s a story about Brazil,” said O Globo.

“Salles captures the collective trauma and resilience of a nation with extraordinary sensitivity.”

Oscar Glory and Global Impact

On Oscar nomination morning, I’m Still Here landed three major nods: Best Picture, Best Actress for Torres, and Best International Feature. While the competition was fierce, the film’s emotional resonance and universal themes set it apart.

“It’s rare to see a film that combines such intimate storytelling with broader political commentary so seamlessly,” wrote Deadline.

“Salles achieves that balance effortlessly.”

In a year that celebrated diverse narratives, I’m Still Here stood out for its authenticity. The film’s focus on the power of family, even in the face of unimaginable adversity, struck a chord worldwide. Its accolades reaffirm Brazil’s place in global cinema and highlighted the enduring importance of stories that speak to our shared humanity.

The Legacy of Walter Salles

With I’m Still Here, Salles continues his tradition of bringing Brazilian stories to the global stage. His meticulous attention to detail and ability to evoke raw emotion have made him a celebrated filmmaker. From Central Station to The Motorcycle Diaries, Salles has consistently explored themes of connection and resilience.

“Walter Salles has a unique gift for making the personal universal,” said IndieWire. “I’m Still Here is his most accomplished work yet.”

I’m Still Here is more than a film; it’s a testament to the enduring power of love, family, and resilience. With its Oscar recognition, the movie ensures that the Paiva family’s story will be remembered for generations to come. Walter Salles and Fernanda Torres have crafted a masterpiece that not only honors Brazil’s history but also resonates universally.

As audiences continue to discover this cinematic gem, one thing is clear: I’m Still Here is a film that lingers, both as a haunting reminder of the past and a celebration of the indomitable human spirit.

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Written by
Hafsah Shahzad

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